SATURDAY 1 DECEMBER 2018 @ 17:00
CANADA WATER THEATRE ( Canada Water Culture Space)
21, Surrey Quays Road, London, SE16 7AR
La Bayadère (The Temple Dancer)
The story of the bayadère Nikiya and the warrior Solor, who have sworn eternal fidelity to one another. The High Brahmin, however, is also in love with Nikiya and learns of her relationship with Solor. Moreover, the Rajah Dugmanta of Golconda has selected Solor to wed his daughter Gamzatti, and Nikiya, unaware of this arrangement, agrees to dance at the couple's betrothal celebrations.
At the betrothal celebrations Nikiya performs a somber dance while playing her veena. She is then given a basket of flowers which she believes are from Solor, and begins a frenzied and joyous dance. Little does she know that the basket is from Gamzatti, who has concealed beneath the flowers a venomous snake. The bayadère then holds the basket too close and the serpent bites her on the neck. The High Brahmin offers Nikiya an antidote to the poison, but she chooses death rather than life without her beloved Solor.
The depressed Solor smokes opium. In his dream-like euphoria he has a vision of Nikiya’s spirit in a nirvana among the star-lit mountain peaks of the Himalayas called The Kingdom of the Shades. Here, the lovers reconcile among the shades of other bayadères.
JAZZ AT PLACE PUBLIQUE
The origins of jazz dance can be traced back to the African ritual and celebratory dances from around the eighteenth century. These dances had an emphasis on rhythm, groundedness, and a connection to the earth. They were traditionally done to the beat of African drums such as djembes, ashikos, and bougarabous. Also, from the sixteenth to the nineteenth century, the transatlantic slave trade brought ten million Africans and their dances across the Atlantic Ocean to the Americas. By 1817 in New Orleans, city laws "restricted gatherings of enslaved people to Sunday afternoons in Congo Square, then called Place Publique". The Sunday afternoon meetings often included the music and dance from the birthplaces of the slaves. The gatherings at Congo Square were shut down and brought back multiple times during the 1800s; when the meetings were shut down, they continued in secret.
In the early 1900s in New Orleans, the new music was combining elements of blues and ragtime. Although the term "jazz" first appeared in print in 1910, Jelly Roll Morton, a New Orleans pianist, claims that he invented jazz in 1902.